Receipt

“the upper horn rhythm circuit has been completely eliminated. Travesty.”

TheGuitarGeek, at 1:59 of “TWIG 120 | Boss Shrink the Katana & Ibanez go Super Saiyan” on TheGuitarGeek’s channel.

Around it

1:29 words. It features an older body which is finished in classic gloss polyester Olympic white. That's paired with a matching painted headstock and a three ply black pick guard. The satin finished maple
1:43 neck is carved into an oh so inoffensive modern sea profile. And that's a nine and a half inch radius slab rosewood fingerboard topped with yummy white perloid block inlays and 22 medium
1:59 jumbo frets. If you are a traditional jazz purist, you will notice immediately that the upper horn rhythm circuit has been completely eliminated. Travesty. The electronics routing is instead
2:11 streamlined down to a three way toggle switch and master controls for volume and tone using some rather pretty aged white witch hat knobs. Spooky. The pickup configuration is where things get
2:24 interesting and obvious. Up at the next position, you get a Fender Player Series Alniko five jazz